Nucleus - Mark Broom Dub Mix
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 49/100
- Pop
- 0/100
- Length
- 6:01
- Released
- 2016
- Album
- Nucleus Remixes
- Genre
- Techno
- Loudness
- -10.0 dB
- ISRC
- FR2X41661855
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nucleus - Advanced Human Dubversion3B · 128
- Nucleus - Raiz Remixremix3B · 125
- Nucleus - Stefan Vincent Interpretationoriginal9B · 130
Against the original (9B at 130 BPM), this version runs 2 BPM slower and moves the key from 9B to 4A.
At 128 BPM in F minor (4A), Nucleus - Mark Broom Dub Mix is a peak-time tempo techno production. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. More underground than 99% of Mark Broom's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 98% of Mark Broom's catalogue
- Groove:
- groovier than 97% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Nucleus - Mark Broom Dub Mix in?
Nucleus - Mark Broom Dub Mix by Mark Broom is in F minor, or 4A on the Camelot wheel.
What BPM is Nucleus - Mark Broom Dub Mix?
Nucleus - Mark Broom Dub Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Nucleus - Mark Broom Dub Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Nucleus - Mark Broom Dub Mix good for peak time?
With energy 49 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.