Awaken - Original Mix
30s preview
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 72/100
- Pop
- 1/100
- Length
- 6:37
- Released
- 2013
- Album
- Awaken
- Genre
- Progressive House
- Loudness
- -7.1 dB
- Dynamics
- 15.5 dB
- ISRC
- NLF711312096
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Awaken - Radio Editversion10B · 128
- Awaken - Dub Mixversion4A · 128
- Awaken - Dub Radio Editversion10B · 128
Awaken - Original Mix: peak-time tempo progressive house, F minor (4A), 128 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). A 2013 production that still circulates in sets. Less groove-driven than 96% of Jerome Isma-Ae's catalogue.
- Low end:
- more treble-tilted than 93% of Jerome Isma-Ae's catalogue
- Energy:
- calmer than 77% of Jerome Isma-Ae's catalogue
- Brightness:
- darker than 77% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Awaken - Original Mix in?
Awaken - Original Mix by Jerome Isma-Ae is in F minor, or 4A on the Camelot wheel.
What BPM is Awaken - Original Mix?
Awaken - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Awaken - Original Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Awaken - Original Mix good for peak time?
With energy 72 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
![Helium (feat. Jareth) [Tom Swoon Remix] by Chris Lake cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2f3c88e76bc9c7b8e97f.webp){kind=small}
More from Jerome Isma-Ae
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.