Cloudy City by Ellen Allien cover art

Cloudy City

Ellen Allien

30s preview

Key
3B · D♭ major
BPM
128
Open Key
8d
Energy
63/100
Pop
4/100
Length
6:20
Released
2005
Genre
Techno
Loudness
-13.9 dB
Dynamics
13.5 dB
ISRC
DEAE60500469

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Cloudy City runs 128 BPM in D♭ major (3B), a peak-time tempo techno record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2005 production that still circulates in sets. For programming, treat it as a mid-set roller.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood27Dark
Groove79
Acoustic6
Instrumental85
Live10
Speech20
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
7%
High
2.5-11 kHz

FAQ

What key is Cloudy City in?

Cloudy City by Ellen Allien is in D♭ major, or 3B on the Camelot wheel.

What BPM is Cloudy City?

Cloudy City runs at 128 BPM, a peak-time tempo track.

What mixes well with Cloudy City?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Cloudy City good for peak time?

With energy 63 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

More from Ellen Allien

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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