One Sound
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 63/100
- Pop
- 4/100
- Length
- 5:59
- Released
- 2017
- Album
- One Sound / Myth
- Genre
- Techno
- Loudness
- -10.3 dB
- Dynamics
- 8.0 dB
- ISRC
- NLAR11700019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- One Sound - DJ Hyperactive Remixremix9A · 132
One Sound is a peak-time tempo techno track in G major (9B) at 128 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More bass-heavy than 95% of Mark Broom's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 89% of Mark Broom's catalogue
- Energy:
- calmer than 86% of Mark Broom's catalogue
- Reach:
- better known than 76% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is One Sound in?
One Sound by Mark Broom is in G major, or 9B on the Camelot wheel.
What BPM is One Sound?
One Sound runs at 128 BPM, a peak-time tempo track.
What mixes well with One Sound?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is One Sound good for peak time?
With energy 63 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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