One Sound - DJ Hyperactive Remix
30s preview
- Key
- 9A · E minor
- BPM
- 132
- Open Key
- 2m
- Energy
- 75/100
- Pop
- 15/100
- Length
- 5:49
- Released
- 2017
- Album
- One Sound / Myth
- Genre
- Techno
- Loudness
- -9.9 dB
- Dynamics
- 9.3 dB
- ISRC
- NLAR11700020
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- One Soundoriginal9B · 128
Against the original (9B at 128 BPM), this version runs 4 BPM faster and moves the key from 9B to 9A.
One Sound - DJ Hyperactive Remix runs 132 BPM in E minor (9A), a peak-time tempo techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Better known than 91% of Mark Broom's catalogue.
- Groove:
- less groove-driven than 77% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is One Sound - DJ Hyperactive Remix in?
One Sound - DJ Hyperactive Remix by Mark Broom is in E minor, or 9A on the Camelot wheel.
What BPM is One Sound - DJ Hyperactive Remix?
One Sound - DJ Hyperactive Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with One Sound - DJ Hyperactive Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is One Sound - DJ Hyperactive Remix good for peak time?
With energy 75 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 132 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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