Synchronicity
30s preview
- Key
- 8B · C major
- BPM
- 173
- Half-time
- 87
- Open Key
- 1d
- Energy
- 13/100
- Pop
- 0/100
- Length
- 3:34
- Released
- 2025
- Album
- Piano
- Genre
- Trance
- Loudness
- -23.2 dB
- Dynamics
- 17.0 dB
- ISRC
- NLF712505234
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Synchronicity: trance, C major (8B), 173 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Faster than 99% of Armin van Buuren's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Armin van Buuren's catalogue
- Energy:
- calmer than 98% of Armin van Buuren's catalogue
- Groove:
- less groove-driven than 98% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Synchronicity in?
Synchronicity by Armin van Buuren is in C major, or 8B on the Camelot wheel.
What BPM is Synchronicity?
Synchronicity runs at 173 BPM.
What mixes well with Synchronicity?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Synchronicity good for peak time?
With energy 13 out of 100 at 173 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 173 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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