Little Damage by Mat Zo cover art

Little Damage

Mat Zo

Key
6A · G minor
BPM
172
Half-time
86
Open Key
11m
Energy
53/100
Pop
16/100
Length
1:45
Released
2013
Genre
Progressive Trance
Loudness
-9.7 dB
ISRC
GBEWA1300724

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Little Damage is a progressive trance track in G minor (6A) at 172 BPM. The feel is dark and steady. It is vocal-led. A 2013 production that still circulates in sets. Calmer than 95% of Mat Zo's catalogue. In a set it works best as an opener or closing-set piece.

Groove:
less groove-driven than 92% of Mat Zo's catalogue
Tempo:
faster than 86% of Mat Zo's catalogue
Reach:
better known than 78% of Mat Zo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy53
Mood23Dark
Groove40
Acoustic9
Instrumental17
Live11
Speech26

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Little Damage in?

Little Damage by Mat Zo is in G minor, or 6A on the Camelot wheel.

What BPM is Little Damage?

Little Damage runs at 172 BPM.

What mixes well with Little Damage?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Little Damage good for peak time?

With energy 53 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#TrackKey·BPM

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 172 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

More progressive trance

More from Mat Zo

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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