Smacked Up on Jack
- Key
- 1B · B major
- BPM
- 184
- Half-time
- 92
- Open Key
- 6d
- Energy
- 55/100
- Pop
- 6/100
- Length
- 1:51
- Released
- 2016
- Genre
- Progressive Trance
- Loudness
- -8.3 dB
- ISRC
- USA2P1602207
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Smacked Up on Jack runs 184 BPM in B major (1B), a progressive trance record. It is vocal-led. A 2016 production that still circulates in sets. Faster than 99% of Mat Zo's catalogue.
- Groove:
- less groove-driven than 95% of Mat Zo's catalogue
- Energy:
- calmer than 94% of Mat Zo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Smacked Up on Jack in?
Smacked Up on Jack by Mat Zo is in B major, or 1B on the Camelot wheel.
What BPM is Smacked Up on Jack?
Smacked Up on Jack runs at 184 BPM.
What mixes well with Smacked Up on Jack?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Smacked Up on Jack good for peak time?
With energy 55 out of 100 at 184 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 184 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 173-195 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 184 — beatmatch without a big tempo pull.
More progressive trance
More from Mat Zo
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 184 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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