Take Our Time by Genix cover art

Take Our Time

Genix

Key
12A · D♭ minor
BPM
180
Half-time
90
Open Key
5m
Energy
34/100
Pop
12/100
Length
5:36
Released
2021
Genre
Progressive Trance
Loudness
-13.6 dB
ISRC
GBEWA2201842

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Take Our Time runs 180 BPM in D♭ minor (12A), a progressive trance record. The groove is loose and less beat-driven. The master keeps real dynamic headroom. Calmer than 99% of Genix's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
faster than 99% of Genix's catalogue
Groove:
less groove-driven than 99% of Genix's catalogue
Brightness:
darker than 90% of Genix's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy34
Mood6Dark
Groove38
Acoustic62
Instrumental40
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Take Our Time in?

Take Our Time by Genix is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Take Our Time?

Take Our Time runs at 180 BPM.

What mixes well with Take Our Time?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Take Our Time good for peak time?

With energy 34 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 180 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 180 — beatmatch without a big tempo pull.

#TrackKey·BPM

More progressive trance

More from Genix

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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