The Enemy by Mat Zo cover art

The Enemy

Mat Zo

30s preview

Key
5A · C minor
BPM
174
Half-time
87
Open Key
10m
Energy
82/100
Pop
9/100
Length
4:14
Released
2016
Genre
Progressive Trance
Loudness
-4.9 dB
Dynamics
13.2 dB
ISRC
USA2P1654763

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 174 BPM in C minor (5A), The Enemy is a progressive trance production. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Faster than 98% of Mat Zo's catalogue. In a set it works best as an opener or closing-set piece.

Groove:
less groove-driven than 80% of Mat Zo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood46Balanced
Groove55
Acoustic1
Instrumental23
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is The Enemy in?

The Enemy by Mat Zo is in C minor, or 5A on the Camelot wheel.

What BPM is The Enemy?

The Enemy runs at 174 BPM.

What mixes well with The Enemy?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is The Enemy good for peak time?

With energy 82 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#TrackKey·BPM

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 174 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

More progressive trance

More from Mat Zo

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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