Cry - Extended Mix
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 8d
- Energy
- 93/100
- Pop
- 22/100
- Length
- 4:55
- Released
- 2024
- Album
- Cry
- Genre
- Trance
- Loudness
- -2.2 dB
- Dynamics
- 9.8 dB
- ISRC
- NLF712407324
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Cryoriginal2B · 174
- Cry - Rank 1 Remixremix12A · 138
- Cry - CRW Remixremix4B · 138
Against the original (2B at 174 BPM), this version holds the same tempo and moves the key from 2B to 3B.
A trance cut, Cry - Extended Mix sits in D♭ major (3B) at 174 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 99% of Ferry Corsten's catalogue.
- Reach:
- better known than 94% of Ferry Corsten's catalogue
- Brightness:
- darker than 79% of Ferry Corsten's catalogue
- Low end:
- more treble-tilted than 77% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Cry - Extended Mix in?
Cry - Extended Mix by Ferry Corsten is in D♭ major, or 3B on the Camelot wheel.
What BPM is Cry - Extended Mix?
Cry - Extended Mix runs at 174 BPM.
What mixes well with Cry - Extended Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Cry - Extended Mix good for peak time?
With energy 93 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 174 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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