You Are Here by Mat Zo cover art

You Are Here

Mat Zo

30s preview

Key
4A · F minor
BPM
172
Half-time
86
Open Key
9m
Energy
96/100
Pop
15/100
Length
5:10
Released
2024
Genre
Progressive Trance
Loudness
-2.9 dB
Dynamics
17.0 dB
ISRC
UKACT2420408

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 172 BPM in F minor (4A), You Are Here is a progressive trance production. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 17 dB). More treble-tilted than 91% of Mat Zo's catalogue. In a set it works best as an opener or closing-set piece.

Tempo:
faster than 86% of Mat Zo's catalogue
Energy:
hotter than 81% of Mat Zo's catalogue
Brightness:
darker than 78% of Mat Zo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood14Dark
Groove58
Acoustic0
Instrumental16
Live35
Speech14

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is You Are Here in?

You Are Here by Mat Zo is in F minor, or 4A on the Camelot wheel.

What BPM is You Are Here?

You Are Here runs at 172 BPM.

What mixes well with You Are Here?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is You Are Here good for peak time?

With energy 96 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 172 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More progressive trance

#TrackKey·BPM

More from Mat Zo

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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