Angel Riddim
30s preview
- BPM
- 164
- Half-time
- 82
- Open Key
- 3d
- Energy
- 47/100
- Pop
- 1/100
- Length
- 3:38
- Released
- 2010
- Genre
- Uk Garage
- Loudness
- -13.0 dB
- Dynamics
- 13.1 dB
- ISRC
- GBPAB1011528
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 164 BPM in D major (10B), Angel Riddim is a very fast uk garage production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. More bass-heavy than 97% of MJ Cole's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 93% of MJ Cole's catalogue
- Groove:
- less groove-driven than 87% of MJ Cole's catalogue
- Energy:
- calmer than 77% of MJ Cole's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Angel Riddim in?
Angel Riddim by MJ Cole is in D major, or 10B on the Camelot wheel.
What BPM is Angel Riddim?
Angel Riddim runs at 164 BPM, a very fast track.
What mixes well with Angel Riddim?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Angel Riddim good for peak time?
With energy 47 out of 100 at 164 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 164 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 154-174 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 164 — beatmatch without a big tempo pull.
More uk garage
More from MJ Cole
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 164 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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