He Loves Me by Zed Bias cover art

He Loves Me

Zed Bias

30s preview

Key
5A · C minor
BPM
160
Half-time
80
Open Key
10m
Energy
58/100
Pop
1/100
Length
5:01
Released
2017
Genre
Uk Garage
Loudness
-9.3 dB
Dynamics
13.9 dB
ISRC
GBSZM1700486

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

He Loves Me runs 160 BPM in C minor (5A), a very fast uk garage record. The feel is balanced in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. Calmer than 88% of Zed Bias's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
less groove-driven than 86% of Zed Bias's catalogue
Tempo:
faster than 84% of Zed Bias's catalogue
Low end:
more treble-tilted than 79% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy58
Mood61Balanced
Groove63
Acoustic0
Instrumental0
Live6
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is He Loves Me in?

He Loves Me by Zed Bias is in C minor, or 5A on the Camelot wheel.

What BPM is He Loves Me?

He Loves Me runs at 160 BPM, a very fast track.

What mixes well with He Loves Me?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is He Loves Me good for peak time?

With energy 58 out of 100 at 160 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#TrackKey·BPM

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 160 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 160 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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