Jibba Jabba by Zed Bias cover art

Jibba Jabba

Zed Bias

30s preview

Key
10A · B minor
BPM
160
Half-time
80
Open Key
3m
Energy
45/100
Pop
0/100
Length
4:24
Released
2017
Genre
Uk Garage
Loudness
-9.3 dB
Dynamics
9.2 dB
ISRC
GBSZM1700489

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Jibba Jabba is a very fast uk garage track in B minor (10A) at 160 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue.

Energy:
calmer than 96% of Zed Bias's catalogue
Brightness:
brighter than 94% of Zed Bias's catalogue
Tempo:
faster than 84% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy45
Mood89Bright
Groove71
Acoustic2
Instrumental92
Live11
Speech14
darkpartyinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Jibba Jabba in?

Jibba Jabba by Zed Bias is in B minor, or 10A on the Camelot wheel.

What BPM is Jibba Jabba?

Jibba Jabba runs at 160 BPM, a very fast track.

What mixes well with Jibba Jabba?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Jibba Jabba good for peak time?

With energy 45 out of 100 at 160 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 160 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 160 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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