Restless by Zed Bias cover art

Restless

Zed Bias

Key
4A · F minor
BPM
160
Half-time
80
Open Key
9m
Energy
68/100
Pop
13/100
Length
5:41
Released
2017
Genre
Uk Garage
Loudness
-4.7 dB
ISRC
GBSZM1700479

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A very fast uk garage cut, Restless sits in F minor (4A) at 160 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2017 production that still circulates in sets. Better known than 92% of Zed Bias's catalogue. For programming, treat it as a high-intensity peak cut.

Tempo:
faster than 84% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood62Balanced
Groove71
Acoustic10
Instrumental0
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Restless in?

Restless by Zed Bias is in F minor, or 4A on the Camelot wheel.

What BPM is Restless?

Restless runs at 160 BPM, a very fast track.

What mixes well with Restless?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Restless good for peak time?

With energy 68 out of 100 at 160 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 160 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 160 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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