In The Morning
30s preview
- Key
- 9A · E minor
- BPM
- 160
- Half-time
- 80
- Open Key
- 2m
- Energy
- 46/100
- Pop
- 1/100
- Length
- 6:11
- Released
- 2021
- Genre
- Uk Garage
- Loudness
- -12.2 dB
- Dynamics
- 11.9 dB
- ISRC
- GB8KE2152695
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
In The Morning: very fast uk garage, E minor (9A), 160 BPM. It reads as dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Calmer than 95% of Zed Bias's catalogue. In a set it works best as a high-intensity peak cut.
- Brightness:
- darker than 95% of Zed Bias's catalogue
- Low end:
- more bass-heavy than 92% of Zed Bias's catalogue
- Tempo:
- faster than 84% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is In The Morning in?
In The Morning by Zed Bias is in E minor, or 9A on the Camelot wheel.
What BPM is In The Morning?
In The Morning runs at 160 BPM, a very fast track.
What mixes well with In The Morning?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is In The Morning good for peak time?
With energy 46 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 160 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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