Off It’s Head by Zed Bias cover art

Off It’s Head

Zed Bias

30s preview

Key
4B · A♭ major
BPM
160
Half-time
80
Open Key
9d
Energy
99/100
Pop
0/100
Length
5:15
Released
2019
Genre
Uk Garage
Loudness
-3.2 dB
Dynamics
11.4 dB
ISRC
UK3XD1900003

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Off It’s Head runs 160 BPM in A♭ major (4B), a very fast uk garage record. The feel is dark and driving. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Zed Bias's catalogue.

Energy:
hotter than 98% of Zed Bias's catalogue
Tempo:
faster than 84% of Zed Bias's catalogue
Brightness:
darker than 83% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood28Dark
Groove72
Acoustic2
Instrumental18
Live23
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Off It’s Head in?

Off It’s Head by Zed Bias is in A♭ major, or 4B on the Camelot wheel.

What BPM is Off It’s Head?

Off It’s Head runs at 160 BPM, a very fast track.

What mixes well with Off It’s Head?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Off It’s Head good for peak time?

With energy 99 out of 100 at 160 BPM, it works best as a floor-filler.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 160 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 160 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.