
Off It’s Head
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 9d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 5:15
- Released
- 2019
- Genre
- Uk Garage
- Loudness
- -3.2 dB
- Dynamics
- 11.4 dB
- ISRC
- UK3XD1900003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Off It’s Head runs 160 BPM in A♭ major (4B), a very fast uk garage record. The feel is dark and driving. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Zed Bias's catalogue.
- Energy:
- hotter than 98% of Zed Bias's catalogue
- Tempo:
- faster than 84% of Zed Bias's catalogue
- Brightness:
- darker than 83% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Off It’s Head in?
Off It’s Head by Zed Bias is in A♭ major, or 4B on the Camelot wheel.
What BPM is Off It’s Head?
Off It’s Head runs at 160 BPM, a very fast track.
What mixes well with Off It’s Head?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Off It’s Head good for peak time?
With energy 99 out of 100 at 160 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 160 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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