I surrender - Zed Bias Remix
- Key
- 9B · G major
- BPM
- 160
- Half-time
- 80
- Open Key
- 2d
- Energy
- 61/100
- Pop
- 2/100
- Length
- 4:42
- Released
- 2024
- Album
- My Love Story - Zed Bias Remixes
- Genre
- Uk Garage
- Loudness
- -11.5 dB
- ISRC
- FR2X42449744
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I surrender - Zed Bias Remix is a very fast uk garage track in G major (9B) at 160 BPM. It reads as bright and euphoric. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Less groove-driven than 85% of Zed Bias's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- calmer than 84% of Zed Bias's catalogue
- Tempo:
- faster than 84% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I surrender - Zed Bias Remix in?
I surrender - Zed Bias Remix by Zed Bias is in G major, or 9B on the Camelot wheel.
What BPM is I surrender - Zed Bias Remix?
I surrender - Zed Bias Remix runs at 160 BPM, a very fast track.
What mixes well with I surrender - Zed Bias Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is I surrender - Zed Bias Remix good for peak time?
With energy 61 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 160 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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