Dissecting Frequencies
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 8m
- Energy
- 55/100
- Pop
- 1/100
- Length
- 4:38
- Released
- 2017
- Genre
- Uk Garage
- Loudness
- -10.2 dB
- Dynamics
- 12.5 dB
- ISRC
- GBSZM1700487
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dissecting Frequencies runs 160 BPM in B♭ minor (3A), a very fast uk garage record. It reads as bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. More bass-heavy than 92% of Zed Bias's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- calmer than 90% of Zed Bias's catalogue
- Tempo:
- faster than 84% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Dissecting Frequencies in?
Dissecting Frequencies by Zed Bias is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Dissecting Frequencies?
Dissecting Frequencies runs at 160 BPM, a very fast track.
What mixes well with Dissecting Frequencies?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Dissecting Frequencies good for peak time?
With energy 55 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 160 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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