
Beijing
30s preview
- Key
- 7B · F major
- BPM
- 170
- Half-time
- 85
- Open Key
- 12d
- Energy
- 81/100
- Pop
- 6/100
- Length
- 5:33
- Released
- 2021
- Genre
- Uk Garage
- Loudness
- -6.1 dB
- Dynamics
- 13.5 dB
- ISRC
- GB8KE2152692
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Beijing: very fast uk garage, F major (7B), 170 BPM. The feel is punchy, neutral in mood. It is vocal-led. The timbre leans dark. The master keeps unusual dynamic range for club music (crest 14 dB). Less groove-driven than 98% of Zed Bias's catalogue.
- Tempo:
- faster than 94% of Zed Bias's catalogue
- Reach:
- better known than 84% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Beijing in?
Beijing by Zed Bias is in F major, or 7B on the Camelot wheel.
What BPM is Beijing?
Beijing runs at 170 BPM, a very fast track.
What mixes well with Beijing?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Beijing good for peak time?
With energy 81 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 170 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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