Scienide by The Prodigy cover art

Scienide

The Prodigy

30s preview

Key
4A · F minor
BPM
150
Half-time
75
Open Key
9m
Energy
87/100
Pop
0/100
Length
5:53
Released
1995
Genre
Breakbeat
Loudness
-10.3 dB
Dynamics
17.3 dB
ISRC
GBBKS9500025

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Scienide: fast breakbeat, F minor (4A), 150 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 1995 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue.

Groove:
less groove-driven than 80% of The Prodigy's catalogue
Tempo:
faster than 78% of The Prodigy's catalogue
Energy:
calmer than 77% of The Prodigy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood30Dark
Groove42
Acoustic0
Instrumental81
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Scienide in?

Scienide by The Prodigy is in F minor, or 4A on the Camelot wheel.

What BPM is Scienide?

Scienide runs at 150 BPM, a fast track.

What mixes well with Scienide?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Scienide good for peak time?

With energy 87 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 150 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

#TrackKey·BPM

More breakbeat

#TrackKey·BPM

More from The Prodigy

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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