Hanna vs. Marissa, Part II
- BPM
- 76
- Double-time
- 152
- Open Key
- 7d
- Energy
- 86/100
- Pop
- 16/100
- Length
- 1:46
- Released
- 2011
- Genre
- Big Beat
- Loudness
- -9.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Hanna vs. Marissa, Part II runs 76 BPM in F♯ major (2B), a big beat record. The feel is dark and driving. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. Slower than 99% of The Chemical Brothers's catalogue.
- Brightness:
- darker than 87% of The Chemical Brothers's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hanna vs. Marissa, Part II in?
Hanna vs. Marissa, Part II by The Chemical Brothers is in F♯ major, or 2B on the Camelot wheel.
What BPM is Hanna vs. Marissa, Part II?
Hanna vs. Marissa, Part II runs at 76 BPM.
What mixes well with Hanna vs. Marissa, Part II?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Hanna vs. Marissa, Part II good for peak time?
With energy 86 out of 100 at 76 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 76 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 71-81 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 76 — beatmatch without a big tempo pull.
More big beat
More from The Chemical Brothers
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 76 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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