
Wind It Up
- BPM
- 145
- Half-time
- 73
- Open Key
- 8d
- Energy
- 65/100
- Pop
- 0/100
- Length
- 6:21
- Released
- 1992
- Genre
- Breakbeat
- Loudness
- -13.5 dB
- ISRC
- GBBKS9300005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Wind It Up: driving up-tempo breakbeat, D♭ major (3B), 145 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1992 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue.
- Energy:
- calmer than 94% of The Prodigy's catalogue
- Brightness:
- brighter than 78% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Wind It Up in?
Wind It Up by The Prodigy is in D♭ major, or 3B on the Camelot wheel.
What BPM is Wind It Up?
Wind It Up runs at 145 BPM, a driving up-tempo track.
What mixes well with Wind It Up?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Wind It Up good for peak time?
With energy 65 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 145 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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