Death Of The Prodigy Dancers - Live
- BPM
- 144
- Half-time
- 72
- Open Key
- 11d
- Energy
- 79/100
- Pop
- 0/100
- Length
- 3:43
- Released
- 1992
- Album
- Experience
- Genre
- Breakbeat
- Loudness
- -11.8 dB
- ISRC
- GBBKS9200033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Death Of The Prodigy Dancers (Live) (Remastered)original8B · 144
Death Of The Prodigy Dancers - Live: driving up-tempo breakbeat, B♭ major (6B), 144 BPM. It is vocal-led. The master keeps real dynamic headroom. A 1992 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue.
- Energy:
- calmer than 88% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Death Of The Prodigy Dancers - Live in?
Death Of The Prodigy Dancers - Live by The Prodigy is in B♭ major, or 6B on the Camelot wheel.
What BPM is Death Of The Prodigy Dancers - Live?
Death Of The Prodigy Dancers - Live runs at 144 BPM, a driving up-tempo track.
What mixes well with Death Of The Prodigy Dancers - Live?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Death Of The Prodigy Dancers - Live good for peak time?
With energy 79 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 144 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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