Death Of The Prodigy Dancers (Live) (Remastered)
30s preview
- Key
- 8B · C major
- BPM
- 144
- Half-time
- 72
- Open Key
- 1d
- Energy
- 93/100
- Pop
- 0/100
- Length
- 3:46
- Released
- 1992
- Album
- Experience: Expanded (Remastered)
- Genre
- Breakbeat
- Loudness
- -5.4 dB
- Dynamics
- 12.8 dB
- ISRC
- GBBKS0700120
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Death Of The Prodigy Dancers - Liveoriginal6B · 144
Death Of The Prodigy Dancers (Live) (Remastered): driving up-tempo breakbeat, C major (8B), 144 BPM. It reads as dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 1992 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more treble-tilted than 78% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Death Of The Prodigy Dancers (Live) (Remastered) in?
Death Of The Prodigy Dancers (Live) (Remastered) by The Prodigy is in C major, or 8B on the Camelot wheel.
What BPM is Death Of The Prodigy Dancers (Live) (Remastered)?
Death Of The Prodigy Dancers (Live) (Remastered) runs at 144 BPM, a driving up-tempo track.
What mixes well with Death Of The Prodigy Dancers (Live) (Remastered)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Death Of The Prodigy Dancers (Live) (Remastered) good for peak time?
With energy 93 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
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How to mix it
In 8B at 144 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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