No Good, Start the Dance (Bad for You Jetboy mix)
30s preview
- Key
- 9B · G major
- BPM
- 144
- Half-time
- 72
- Open Key
- 2d
- Energy
- 96/100
- Pop
- 22/100
- Length
- 6:51
- Released
- 1994
- Genre
- Breakbeat
- Loudness
- -7.5 dB
- Dynamics
- 12.9 dB
- ISRC
- GBBKS0700104
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
No Good, Start the Dance (Bad for You Jetboy mix) is a driving up-tempo breakbeat track in G major (9B) at 144 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 1994 production that still circulates in sets. More bass-heavy than 87% of The Prodigy's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- better known than 85% of The Prodigy's catalogue
- Groove:
- groovier than 84% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is No Good, Start the Dance (Bad for You Jetboy mix) in?
No Good, Start the Dance (Bad for You Jetboy mix) by The Prodigy is in G major, or 9B on the Camelot wheel.
What BPM is No Good, Start the Dance (Bad for You Jetboy mix)?
No Good, Start the Dance (Bad for You Jetboy mix) runs at 144 BPM, a driving up-tempo track.
What mixes well with No Good, Start the Dance (Bad for You Jetboy mix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is No Good, Start the Dance (Bad for You Jetboy mix) good for peak time?
With energy 96 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 144 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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