We Are the Night by The Chemical Brothers cover art

We Are the Night

The Chemical Brothers

Key
12A · D♭ minor
BPM
142
Half-time
71
Open Key
5m
Energy
97/100
Pop
0/100
Length
6:33
Released
2007
Genre
Big Beat
Loudness
-4.2 dB
ISRC
GBAAA0700876
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo big beat cut, We Are the Night sits in D♭ minor (12A) at 142 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2007 production that still circulates in sets. More underground than 99% of The Chemical Brothers's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 88% of The Chemical Brothers's catalogue
Energy:
hotter than 82% of The Chemical Brothers's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood39Balanced
Groove57
Acoustic0
Instrumental1
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is We Are the Night in?

We Are the Night by The Chemical Brothers is in D♭ minor, or 12A on the Camelot wheel.

What BPM is We Are the Night?

We Are the Night runs at 142 BPM, a driving up-tempo track.

What mixes well with We Are the Night?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is We Are the Night good for peak time?

With energy 97 out of 100 at 142 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 142 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 142 — beatmatch without a big tempo pull.

#TrackKey·BPM

More big beat

More from The Chemical Brothers

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.