Speedway (Theme From Fastlane)
30s preview
- BPM
- 144
- Half-time
- 72
- Open Key
- 4m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 8:56
- Released
- 1994
- Genre
- Breakbeat
- Loudness
- -9.5 dB
- Dynamics
- 16.3 dB
- ISRC
- GBBKS9400114
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 144 BPM in F♯ minor (11A), Speedway (Theme From Fastlane) is a driving up-tempo breakbeat production. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). A 1994 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 95% of The Prodigy's catalogue
- Groove:
- less groove-driven than 91% of The Prodigy's catalogue
- Brightness:
- darker than 77% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Speedway (Theme From Fastlane) in?
Speedway (Theme From Fastlane) by The Prodigy is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Speedway (Theme From Fastlane)?
Speedway (Theme From Fastlane) runs at 144 BPM, a driving up-tempo track.
What mixes well with Speedway (Theme From Fastlane)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Speedway (Theme From Fastlane) good for peak time?
With energy 92 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 144 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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