This Is Not A Game - From The Hunger Games: Mockingjay Part 1
30s preview
- Key
- 5A · C minor
- BPM
- 147
- Half-time
- 74
- Open Key
- 10m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 3:15
- Released
- 2014
- Album
- This Is Not A Game (From The Hunger Games: Mockingjay Part 1)
- Genre
- Big Beat
- Loudness
- -4.8 dB
- Dynamics
- 10.4 dB
- ISRC
- GBUM71405794
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
This Is Not A Game - From The Hunger Games: Mockingjay Part 1 runs 147 BPM in C minor (5A), a fast big beat record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2014 production that still circulates in sets. More underground than 99% of The Chemical Brothers's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 92% of The Chemical Brothers's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is This Is Not A Game - From The Hunger Games: Mockingjay Part 1 in?
This Is Not A Game - From The Hunger Games: Mockingjay Part 1 by The Chemical Brothers is in C minor, or 5A on the Camelot wheel.
What BPM is This Is Not A Game - From The Hunger Games: Mockingjay Part 1?
This Is Not A Game - From The Hunger Games: Mockingjay Part 1 runs at 147 BPM, a fast track.
What mixes well with This Is Not A Game - From The Hunger Games: Mockingjay Part 1?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is This Is Not A Game - From The Hunger Games: Mockingjay Part 1 good for peak time?
With energy 84 out of 100 at 147 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 147 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 138-156 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 147 — beatmatch without a big tempo pull.
More big beat
More from The Chemical Brothers
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 147 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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