Hyperspeed (G-Force, Part 2)
- BPM
- 150
- Half-time
- 75
- Open Key
- 7d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 5:15
- Released
- 1992
- Genre
- Breakbeat
- Loudness
- -9.7 dB
- ISRC
- GBBKS9200026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A fast breakbeat cut, Hyperspeed (G-Force, Part 2) sits in F♯ major (2B) at 150 BPM. It reads as punchy, neutral in mood. It is vocal-led. A 1992 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 78% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hyperspeed (G-Force, Part 2) in?
Hyperspeed (G-Force, Part 2) by The Prodigy is in F♯ major, or 2B on the Camelot wheel.
What BPM is Hyperspeed (G-Force, Part 2)?
Hyperspeed (G-Force, Part 2) runs at 150 BPM, a fast track.
What mixes well with Hyperspeed (G-Force, Part 2)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Hyperspeed (G-Force, Part 2) good for peak time?
With energy 95 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 150 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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