Get Away From Here
30s preview
- BPM
- 173
- Half-time
- 87
- Open Key
- 3m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 4:15
- Released
- 2012
- Genre
- Drum N Bass
- Loudness
- -3.1 dB
- Dynamics
- 15.3 dB
- ISRC
- GBCJY1205165
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Get Away From Here runs 173 BPM in B minor (10A), a drum n bass record. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2012 production that still circulates in sets. More underground than 99% of Netsky's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- darker than 90% of Netsky's catalogue
- Groove:
- less groove-driven than 84% of Netsky's catalogue
- Low end:
- more treble-tilted than 82% of Netsky's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Get Away From Here in?
Get Away From Here by Netsky is in B minor, or 10A on the Camelot wheel.
What BPM is Get Away From Here?
Get Away From Here runs at 173 BPM.
What mixes well with Get Away From Here?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Get Away From Here good for peak time?
With energy 90 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 173 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from Netsky
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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