Bad Boy (Back Again)
30s preview
- Key
- 9A · E minor
- BPM
- 175
- Half-time
- 88
- Open Key
- 2m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 3:35
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- -2.3 dB
- Dynamics
- 12.2 dB
- ISRC
- GBCJY1300072
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Bad Boy (Back Again): drum n bass, E minor (9A), 175 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Danny Byrd's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more bass-heavy than 94% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Bad Boy (Back Again) in?
Bad Boy (Back Again) by Danny Byrd is in E minor, or 9A on the Camelot wheel.
What BPM is Bad Boy (Back Again)?
Bad Boy (Back Again) runs at 175 BPM.
What mixes well with Bad Boy (Back Again)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Bad Boy (Back Again) good for peak time?
With energy 92 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 175 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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