Supreme by Danny Byrd cover art

Supreme

Danny Byrd

30s preview

Key
2B · F♯ major
BPM
175
Half-time
88
Open Key
7d
Energy
94/100
Pop
10/100
Length
4:34
Released
2018
Genre
Drum N Bass
Loudness
-5.6 dB
Dynamics
13.0 dB
ISRC
GBCJY1800103

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, Supreme sits in F♯ major (2B) at 175 BPM. It reads as bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Brighter than 96% of Danny Byrd's catalogue. In a set it works best as an opener or closing-set piece.

Reach:
better known than 76% of Danny Byrd's catalogue
Low end:
more bass-heavy than 76% of Danny Byrd's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood83Bright
Groove58
Acoustic0
Instrumental14
Live42
Speech7
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Supreme in?

Supreme by Danny Byrd is in F♯ major, or 2B on the Camelot wheel.

What BPM is Supreme?

Supreme runs at 175 BPM.

What mixes well with Supreme?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Supreme good for peak time?

With energy 94 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 175 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Danny Byrd

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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