
Devil's Drop
- BPM
- 175
- Half-time
- 88
- Open Key
- 4d
- Energy
- 96/100
- Pop
- 0/100
- Length
- 4:12
- Released
- 2018
- Genre
- Drum N Bass
- Loudness
- -3.8 dB
- ISRC
- GBCJY1700264
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Devil's Drop sits in A major (11B) at 175 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2018 production that still circulates in sets. More underground than 99% of Danny Byrd's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Devil's Drop in?
Devil's Drop by Danny Byrd is in A major, or 11B on the Camelot wheel.
What BPM is Devil's Drop?
Devil's Drop runs at 175 BPM.
What mixes well with Devil's Drop?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Devil's Drop good for peak time?
With energy 96 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 175 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Danny Byrd
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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