Gold Rush
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:27
- Released
- 2008
- Genre
- Drum N Bass
- Loudness
- -3.2 dB
- Dynamics
- 16.0 dB
- ISRC
- GBCJY0713124
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Gold Rush runs 174 BPM in B minor (10A), a drum n bass record. The feel is dark and driving. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2008 production that still circulates in sets. More underground than 99% of Danny Byrd's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more treble-tilted than 84% of Danny Byrd's catalogue
- Brightness:
- darker than 81% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Gold Rush in?
Gold Rush by Danny Byrd is in B minor, or 10A on the Camelot wheel.
What BPM is Gold Rush?
Gold Rush runs at 174 BPM.
What mixes well with Gold Rush?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Gold Rush good for peak time?
With energy 97 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 174 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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