Houston We Have No Problem by London Elektricity cover art

Houston We Have No Problem

London Elektricity

Key
9B · G major
BPM
176
Half-time
88
Open Key
2d
Energy
82/100
Pop
3/100
Length
7:19
Released
1999
Genre
Drum N Bass
Loudness
-6.7 dB
ISRC
GBCJY0239012

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Houston We Have No Problem is a drum n bass track in G major (9B) at 176 BPM. The feel is dark and driving. The mix is almost entirely instrumental. A 1999 production that still circulates in sets. Faster than 95% of London Elektricity's catalogue. For programming, treat it as an opener or closing-set piece.

Groove:
groovier than 92% of London Elektricity's catalogue
Brightness:
darker than 77% of London Elektricity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood12Dark
Groove69
Acoustic0
Instrumental90
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Houston We Have No Problem in?

Houston We Have No Problem by London Elektricity is in G major, or 9B on the Camelot wheel.

What BPM is Houston We Have No Problem?

Houston We Have No Problem runs at 176 BPM.

What mixes well with Houston We Have No Problem?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Houston We Have No Problem good for peak time?

With energy 82 out of 100 at 176 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 176 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 165-187 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 176 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 176 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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