Work 2007 - Original Version
- BPM
- 192
- Half-time
- 96
- Open Key
- 4m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 5:22
- Released
- 2002
- Album
- Work 2007
- Genre
- Latin
- Loudness
- -6.3 dB
- ISRC
- GBCFZ0701296
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Work 2007 - Dancing DJs Remixremix4B · 142
- Work 2007 - Deep Life Vocal Remixremix12A · 128
- Work 2007 - Extended Mixversion9B · 130
- Work 2007 - House Agents Remixremix8B · 128
- Work 2007 - Kenny Hayes Clubs Addiction Remixremix4B · 128
- Work 2007 - Kenny Hayes Dub Additiction Remixremix3B · 128
Work 2007 - Original Version runs 192 BPM in F♯ minor (11A), a latin record. It is vocal-led. A 2002 production that still circulates in sets. Faster than 99% of Masters At Work's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 99% of Masters At Work's catalogue
- Reach:
- more underground than 99% of Masters At Work's catalogue
- Energy:
- hotter than 90% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Work 2007 - Original Version in?
Work 2007 - Original Version by Masters At Work is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Work 2007 - Original Version?
Work 2007 - Original Version runs at 192 BPM.
What mixes well with Work 2007 - Original Version?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Work 2007 - Original Version good for peak time?
With energy 93 out of 100 at 192 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 192 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 180-204 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 192 — beatmatch without a big tempo pull.
More latin
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 192 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.