僕は王様だった (feat. 重音テト) by Nobserv cover art

僕は王様だった (feat. 重音テト)

Nobserv

30s preview

Key
10A · B minor
BPM
95
Double-time
190
Open Key
3m
Energy
92/100
Pop
6/100
Length
3:52
Released
2019
Album
Yellow Days
Genre
Vocaloid
Loudness
-2.9 dB
Dynamics
11.5 dB
ISRC
QZFZ22317403

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

僕は王様だった (feat. 重音テト) runs 95 BPM in B minor (10A), a slow-groove tempo vocaloid record. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Slower than 92% of Nobserv's catalogue. In a set it works best as an opener or closing-set piece.

Groove:
less groove-driven than 87% of Nobserv's catalogue
Energy:
hotter than 77% of Nobserv's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood56Balanced
Groove48
Acoustic5
Instrumental0
Live7
Speech13

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is 僕は王様だった (feat. 重音テト) in?

僕は王様だった (feat. 重音テト) by Nobserv is in B minor, or 10A on the Camelot wheel.

What BPM is 僕は王様だった (feat. 重音テト)?

僕は王様だった (feat. 重音テト) runs at 95 BPM, a slow-groove tempo track.

What mixes well with 僕は王様だった (feat. 重音テト)?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is 僕は王様だった (feat. 重音テト) good for peak time?

With energy 92 out of 100 at 95 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 95 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 95 — beatmatch without a big tempo pull.

#Track

More vocaloid

#Track

More from Nobserv

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track