こどもでもできること (feat. 重音テト) by Nobserv cover art

こどもでもできること (feat. 重音テト)

Nobserv

30s preview

Key
10B · D major
BPM
95
Double-time
190
Open Key
3d
Energy
91/100
Pop
3/100
Length
1:02
Released
2014
Album
クレイジー・ソルトロック
Genre
Vocaloid
Loudness
-2.7 dB
Dynamics
9.8 dB
ISRC
QZFZ22317246

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 95 BPM in D major (10B), こどもでもできること (feat. 重音テト) is a slow-groove tempo vocaloid production. Tonally it lands bright and euphoric. It is vocal-led. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Slower than 92% of Nobserv's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
brighter than 92% of Nobserv's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood91Bright
Groove62
Acoustic42
Instrumental0
Live16
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is こどもでもできること (feat. 重音テト) in?

こどもでもできること (feat. 重音テト) by Nobserv is in D major, or 10B on the Camelot wheel.

What BPM is こどもでもできること (feat. 重音テト)?

こどもでもできること (feat. 重音テト) runs at 95 BPM, a slow-groove tempo track.

What mixes well with こどもでもできること (feat. 重音テト)?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is こどもでもできること (feat. 重音テト) good for peak time?

With energy 91 out of 100 at 95 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#Track

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 95 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 95 — beatmatch without a big tempo pull.

#Track

More vocaloid

#Track

More from Nobserv

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track