来世でまた会おう by Nobserv cover art

来世でまた会おう

Nobserv

30s preview

Key
4A · F minor
BPM
95
Double-time
190
Open Key
9m
Energy
93/100
Pop
5/100
Length
1:46
Released
2025
Genre
Vocaloid
Loudness
-3.3 dB
Dynamics
8.6 dB
ISRC
JPW462554286

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A slow-groove tempo vocaloid cut, 来世でまた会おう sits in F minor (4A) at 95 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More bass-heavy than 95% of Nobserv's catalogue. For programming, treat it as an opener or closing-set piece.

Brightness:
darker than 93% of Nobserv's catalogue
Tempo:
slower than 92% of Nobserv's catalogue
Energy:
hotter than 83% of Nobserv's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood27Dark
Groove56
Acoustic2
Instrumental0
Live32
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is 来世でまた会おう in?

来世でまた会おう by Nobserv is in F minor, or 4A on the Camelot wheel.

What BPM is 来世でまた会おう?

来世でまた会おう runs at 95 BPM, a slow-groove tempo track.

What mixes well with 来世でまた会おう?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is 来世でまた会おう good for peak time?

With energy 93 out of 100 at 95 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 95 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 95 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track