Golden (Zed Bias Remix)
30s preview
- Key
- 8B · C major
- BPM
- 191
- Half-time
- 96
- Open Key
- 1d
- Energy
- 92/100
- Pop
- 2/100
- Length
- 3:54
- Released
- 2017
- Genre
- Uk Garage
- Loudness
- -3.6 dB
- Dynamics
- 13.5 dB
- ISRC
- UKELY1700077
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Golden (Zed Bias Remix): uk garage, C major (8B), 191 BPM. Tonally it lands bright and euphoric. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. Faster than 99% of Zed Bias's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 99% of Zed Bias's catalogue
- Low end:
- more treble-tilted than 90% of Zed Bias's catalogue
- Energy:
- hotter than 85% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Golden (Zed Bias Remix) in?
Golden (Zed Bias Remix) by Zed Bias is in C major, or 8B on the Camelot wheel.
What BPM is Golden (Zed Bias Remix)?
Golden (Zed Bias Remix) runs at 191 BPM.
What mixes well with Golden (Zed Bias Remix)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Golden (Zed Bias Remix) good for peak time?
With energy 92 out of 100 at 191 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 191 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 180-202 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 191 — beatmatch without a big tempo pull.
More uk garage
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 191 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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