Voicemail
- BPM
- 175
- Half-time
- 88
- Open Key
- 7d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2003
- Genre
- Uk Garage
- Loudness
- -9.7 dB
- ISRC
- GBFGQ0300006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Voicemail: uk garage, F♯ major (2B), 175 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 2003 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- faster than 97% of Zed Bias's catalogue
- Groove:
- less groove-driven than 93% of Zed Bias's catalogue
- Energy:
- hotter than 91% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Voicemail in?
Voicemail by Zed Bias is in F♯ major, or 2B on the Camelot wheel.
What BPM is Voicemail?
Voicemail runs at 175 BPM.
What mixes well with Voicemail?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Voicemail good for peak time?
With energy 95 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 175 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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