Everybody Dancing
- Key
- 9B · G major
- BPM
- 123
- Open Key
- 2d
- Energy
- 57/100
- Pop
- 13/100
- Length
- 4:04
- Released
- 2023
- Genre
- House
- Loudness
- -10.0 dB
- ISRC
- US5X22330002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Everybody Dancing: club-tempo house, G major (9B), 123 BPM. The feel is balanced in mood. The mix is almost entirely instrumental. Better known than 88% of Mark Farina's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 77% of Mark Farina's catalogue
- Brightness:
- darker than 76% of Mark Farina's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Everybody Dancing in?
Everybody Dancing by Mark Farina is in G major, or 9B on the Camelot wheel.
What BPM is Everybody Dancing?
Everybody Dancing runs at 123 BPM, a club-tempo track.
What mixes well with Everybody Dancing?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Everybody Dancing good for peak time?
With energy 57 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Mark Farina
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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