
But I Think
- BPM
- 100
- Double-time
- 200
- Open Key
- 4m
- Energy
- 29/100
- Pop
- 9/100
- Length
- 2:12
- Released
- 2018
- Genre
- Electro
- Loudness
- -10.8 dB
- ISRC
- FRX851801404
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
But I Think: slow-groove tempo electro, F♯ minor (11A), 100 BPM. The groove is strong and floor-ready. It is vocal-led. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Calmer than 99% of Étienne de Crécy's catalogue.
- Tempo:
- slower than 89% of Étienne de Crécy's catalogue
- Groove:
- groovier than 81% of Étienne de Crécy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is But I Think in?
But I Think by Étienne de Crécy is in F♯ minor, or 11A on the Camelot wheel.
What BPM is But I Think?
But I Think runs at 100 BPM, a slow-groove tempo track.
What mixes well with But I Think?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is But I Think good for peak time?
With energy 29 out of 100 at 100 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 100 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More electro
More from Étienne de Crécy
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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