I Hear Music In The Streets (feat. Unlimited Touch) by Louie Vega cover art

I Hear Music In The Streets (feat. Unlimited Touch)

Louie Vega

30s preview

Key
3A · B♭ minor
BPM
118
Open Key
8m
Energy
73/100
Pop
15/100
Length
5:47
Released
2022
Album
Expansions In The NYC
Genre
House
Loudness
-7.2 dB
Dynamics
12.6 dB
ISRC
USNRS2241789

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

I Hear Music In The Streets (feat. Unlimited Touch): mid-tempo house, B♭ minor (3A), 118 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Slower than 93% of Louie Vega's catalogue. For programming, treat it as a floor-filler.

Reach:
better known than 89% of Louie Vega's catalogue
Low end:
more treble-tilted than 76% of Louie Vega's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood61Balanced
Groove81
Acoustic1
Instrumental4
Live40
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is I Hear Music In The Streets (feat. Unlimited Touch) in?

I Hear Music In The Streets (feat. Unlimited Touch) by Louie Vega is in B♭ minor, or 3A on the Camelot wheel.

What BPM is I Hear Music In The Streets (feat. Unlimited Touch)?

I Hear Music In The Streets (feat. Unlimited Touch) runs at 118 BPM, a mid-tempo track.

What mixes well with I Hear Music In The Streets (feat. Unlimited Touch)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is I Hear Music In The Streets (feat. Unlimited Touch) good for peak time?

With energy 73 out of 100 at 118 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 118 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

More house

#TrackKey·BPM

More from Louie Vega

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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