I Hear Music In The Streets - Boogie Mix 7" Edit by Louie Vega cover art

I Hear Music In The Streets - Boogie Mix 7" Edit

Louie Vega

30s preview

Key
4A · F minor
BPM
118
Open Key
9m
Energy
70/100
Pop
6/100
Length
3:55
Released
2020
Album
I Hear Music In The Streets (Expansions In The NYC Preview 3)
Genre
House
Loudness
-7.4 dB
Dynamics
12.9 dB
ISRC
USNRS2039955

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3A at 118 BPM), this version holds the same tempo and moves the key from 3A to 4A.

A mid-tempo house cut, I Hear Music In The Streets - Boogie Mix 7" Edit sits in F minor (4A) at 118 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Slower than 93% of Louie Vega's catalogue. In a set it works best as a floor-filler.

Groove:
groovier than 76% of Louie Vega's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy70
Mood58Balanced
Groove82
Acoustic1
Instrumental0
Live33
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is I Hear Music In The Streets - Boogie Mix 7" Edit in?

I Hear Music In The Streets - Boogie Mix 7" Edit by Louie Vega is in F minor, or 4A on the Camelot wheel.

What BPM is I Hear Music In The Streets - Boogie Mix 7" Edit?

I Hear Music In The Streets - Boogie Mix 7" Edit runs at 118 BPM, a mid-tempo track.

What mixes well with I Hear Music In The Streets - Boogie Mix 7" Edit?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is I Hear Music In The Streets - Boogie Mix 7" Edit good for peak time?

With energy 70 out of 100 at 118 BPM, it works best as a floor-filler.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 118 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Louie Vega

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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