Givin' It Up featuring Pete Simpson
30s preview
- BPM
- 118
- Open Key
- 8d
- Energy
- 89/100
- Pop
- 0/100
- Length
- 4:53
- Released
- 2007
- Album
- Experiments With Biasonics
- Genre
- Uk Garage
- Loudness
- -3.9 dB
- Dynamics
- 14.1 dB
- ISRC
- GBPHK0700031
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Givin It Up featuring Pete Simpsonoriginal9B · 118
Givin' It Up featuring Pete Simpson: mid-tempo uk garage, D♭ major (3B), 118 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2007 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 97% of Zed Bias's catalogue
- Tempo:
- slower than 85% of Zed Bias's catalogue
- Energy:
- hotter than 78% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Givin' It Up featuring Pete Simpson in?
Givin' It Up featuring Pete Simpson by Zed Bias is in D♭ major, or 3B on the Camelot wheel.
What BPM is Givin' It Up featuring Pete Simpson?
Givin' It Up featuring Pete Simpson runs at 118 BPM, a mid-tempo track.
What mixes well with Givin' It Up featuring Pete Simpson?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Givin' It Up featuring Pete Simpson good for peak time?
With energy 89 out of 100 at 118 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 118 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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