Rogue Frequency featuring Fyza
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 5:20
- Released
- 2007
- Album
- Experiments With Biasonics
- Genre
- Uk Garage
- Loudness
- -6.6 dB
- Dynamics
- 10.5 dB
- ISRC
- GBPHK0700025
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Rogue Frequency featuring Fyza is a club-tempo uk garage track in B♭ minor (3A) at 122 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2007 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 89% of Zed Bias's catalogue
- Tempo:
- slower than 79% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Rogue Frequency featuring Fyza in?
Rogue Frequency featuring Fyza by Zed Bias is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Rogue Frequency featuring Fyza?
Rogue Frequency featuring Fyza runs at 122 BPM, a club-tempo track.
What mixes well with Rogue Frequency featuring Fyza?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Rogue Frequency featuring Fyza good for peak time?
With energy 93 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.