Giving It Up - Instrumental
30s preview
- Key
- 4A · F minor
- BPM
- 123
- Open Key
- 9m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 4:59
- Released
- 2020
- Album
- Giving It Up
- Genre
- Uk Garage
- Loudness
- -7.1 dB
- Dynamics
- 13.5 dB
- ISRC
- UK3XD2000006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Giving It Up - Main Mixoriginal4A · 123
Against the original (4A at 123 BPM), this version holds the same tempo in the same key.
Giving It Up - Instrumental runs 123 BPM in F minor (4A), a club-tempo uk garage record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Zed Bias's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 80% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Giving It Up - Instrumental in?
Giving It Up - Instrumental by Zed Bias is in F minor, or 4A on the Camelot wheel.
What BPM is Giving It Up - Instrumental?
Giving It Up - Instrumental runs at 123 BPM, a club-tempo track.
What mixes well with Giving It Up - Instrumental?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Giving It Up - Instrumental good for peak time?
With energy 87 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 123 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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